Feeling my way

I’m journeying to a mystery destination with 9 other travellers. None of us speak the same language. What we share is elusive. What’s palpable is willingness to journey together, embrace each other’s origins, knowledge, questions. Our shared charter is to collaborate, bring material from our practices, and maybe unravel from all that’s woven together new possibility. We have exchanged through explorations of Feldenkrais lessons, Laban notation processes, found out about each other’s practices. What stands out for me is how important it is in the midst of all of this to become utterly lost, to fall out of language in the middle of trying to communicate. This is freefall away from the familiar, toward opening to the influence of other views, without losing myself. Fantastic. Maybe another way of thinking is possible. Right now I have no idea what Thinking through the Body is! But I can acknowledge that I danced with an animated wheelchair today! And, I looked upward toward myself projected on the ceiling with my heartbeat animated in sound and visual moving patterns, and felt wonder for some seconds before my analytical mind queried the technology. I am becoming reoriented toward technology, something personal is emerging. I could not have expected this.

I must acknowledge traveller #9, Lucas, who is working “outside” of our interactions, the observing agent (sound & camera), as a major influence on what goes on!

About Maggie Slattery

Maggie Slattery was working as an actor in San Francisco when she commenced study of the Feldenkrais Method (1978) as part of her research to free her movement from the constraints of her personal history. The revolution in her experience of her body/self, led inevitably to taking professional training in the Feldenkrais Method (San Rafael, California 1984-1987). Maggie has continued her personal practice of the Method as integral to her life; She's run a professional private practice (hands-on) for 20 years, and has worked in a great variety of teaching settings, including tertiary dance and music faculties, with dance companies, and in Feldenkrais Training Programs as an assistant trainer. She has a great love for the work, enduring wonder at its scope and where it sits in relationship to Art, Science and Ordinary Life; and of late a developing engagement in and interest for the transposition of the work into other domains, particularly those involving music, design, and ESD (Ecologically Sustainable Development).

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